Why the “Love Is Blind” experiment was doomed from the start
Melanie McFarland
“Saturday Night Live” has a middle ground problem
Melanie McFarland
Watching “Bridgerton” in a “Heated Rivalry” world
Melanie McFarland
The BAFTAs have us arguing over the wrong words
Melanie McFarland
Everyone should live like Miss Piggy
Melanie McFarland
The uplifting medicine of “Scrubs”
Melanie McFarland
“A Knight of the Seven Kingdoms” is the “Undercover Boss” of our era
Melanie McFarland
On “SNL,” Jesse Jackson proved he knew punchlines have power
Melanie McFarland
And America’s worst top role model is . . . Tyra Banks
Melanie McFarland
We still swoon for Prince’s “Kiss”
Melanie McFarland
The shrunken ambition of Ryan Murphy’s “Love Story”
Melanie McFarland
Bad Bunny gave us a Super Bowl halftime show for all Americans
Melanie McFarland
“Shrinking” is a therapeutic retreat from an ugly world
Melanie McFarland
Catherine O’Hara knew that motherhood can be a slapstick comedy
Melanie McFarland
“Primal” is a life-affirming zombie tale
Melanie McFarland
Mary Tyler Moore stands for Minneapolis
Melanie McFarland
“Schitt’s Creek” star Catherine O’Hara, dead at 71
Melanie McFarland
The lost joy of the Food Network chef as teacher
Melanie McFarland
Everyone wants to be a Traitor until it’s time to betray themselves
Melanie McFarland
David Bowie’s Goblin King still casts the longest spell
Melanie McFarland
“The Bone Temple” argues that in a rage apocalypse, art may be the cure
Melanie McFarland
Don’t blame media literacy for our naivete
Melanie McFarland
How “A Knight of Seven Kingdoms” paves the way to “Game of Thrones”
Melanie McFarland
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